The Inspiration Behind SEVEN’s 2019 Art Books

LAT 2019 exhibition

Gene Simmons – you know, the Kiss guy with the graphic makeup and the wild tongue – once said:

“I crave ideas, and when an idea hits me, it grips me and it tortures me until I master it.”

That’s kinda how SEVEN’s 2019 creative art book project has taken us. Now the Leigh Art Trail 2019 is upon us and while all our art books are complete, some of us made it by the skin of our tortured teeth. Others, on the other hand, were much more organised (Kim!).

So we took this opportunity to look around and start asking ourselves some questions. What lessons have we learned? And what did we most enjoy while undertaking this particular SEVEN art project?

But first up, we asked…

Who Inspired Your Art Book?

Our unifying theme for 2019 was a favourite artist or art movement, but why did each SEVEN member choose their particular theme?

Kim – Robert Rauschenberg

Kim

Robert Rauschenberg (1925 – 2008) an American artist who worked in a variety of mediums – including painting, printmaking and performance – inspired Kim’s art book.

As the Rauschenberg Foundation says:

“…Rauschenberg has been called a forerunner of essentially every postwar movement since Abstract Expressionism.”

Which might have had a little something to do with why Kim picked him as her subject:

“For literally decades I would have said that Andy Warhol was my favourite artist, but when I saw the Robert Rauschenberg exhibition at Tate Modern, it made me think again. Such varied work, so inspiring, it made a big impression on me, and I wanted to find out more.”

Jo – Hundertwasser

Jo

Jo chose Friedensreich Hundertwasser, an artist, architect and ecologist, as her subject. Born in Vienna in 1928 Hundertwasser became recognised for his striking use of spirals and arabesque lines. Writing about his art work in the mid-1970s he said:

“The colourful, the abundant, the manifold, is always better than mediocre grey and uniformity”,

Explaining why she took Hundertwasser as her starting point Jo says:

“I first came across Hundertwasser and his work during University, where I studied textile design. I love his use of colour and I’m inspired by the pattern-like style in his paintings and architecture. More recently I visited an exhibition of Hundertwasser, Klimt and Schiele at Atelier des Lumières, in Paris, which was an immersive experience that rekindled my interest.”

Amanda – Matisse

Amanda

Amanda centred her project on Henri Matisse, (1869 –1954) a French artist, famed for his use of colour and decorative forms. But Amanda decided to concentrate on the legendary cut-outs, created towards the end of his career:

“I love his sense of colour and the playfulness he found in this late period of his work, when he was ill and had his assistants paint paper for him to cut into directly. I find fun in the work that I do with SEVEN and this playfulness in Matisse’s series fitted.”

Helen – Surrealism

Helen

So Helen focused her book on Surrealism:

“A twentieth-century literary, philosophical and artistic movement that explored the workings of the mind, championing the irrational, the poetic and the revolutionary.” – Tate Modern

While Salvador Dalí is probably the best known Surrealist artist – who were largely men – and Sigmund Freud their ‘patron saint’ Helen says:

“I was originally interested in some of the female Surrealists. Their use of myth, folklore, fantastic landscapes, Jung, alchemy, and more, fascinates me.”

Juliet – Oceania

Juliet

Juliet’s concertina creation is inspired by the Royal Academy exhibition Oceania, which explored the art of the people of the Pacific ocean. The RA says:

“From shell, greenstone and ceramic ornaments, to huge canoes and stunning god images, we explore important themes of voyaging, place making and encounter.”

The exhibition featured works from the 18th century to the present and included:

“[S]eminal works produced by contemporary artists exploring history, identity and climate change.”

Juliet goes on to say that the reason for her choice was the fact that she:

“…loved how the art was so inspired by the world around them.”

Leigh Art Trail – at last!

So, it’s a wrap!

(From left) Jo, Helen, Kim, Amanda, Juliet

SEVEN are excited to be part of Leigh Art Trail 2019. Remember, the Trail is “…a not for profit, volunteer run, community engagement organisation, showcasing the work of local contemporary artists and designers”.

And, we love sharing both our creative art books and the ideas behind them with the many Trailers who take the opportunity to visit us at our lovely host venue Planet Leasing.

Have a go!

Leigh Art Trail 2019 invitation

SEVEN has had busy year and is showing at the Leigh Art Trail for the third consecutive year at Venue 52: Planet Leasing. We’ll be open late on Thursday 13 June for drinks and nibbles and we’d like to invite you to join us and take a look through our books. This year we have been making our own books and taking inspiration from an artist or art movement.

We look forward to seeing you!

Back at Turn the Page 2019 – the artists’ books fair

https://www.turnthepage.org.uk/

So SEVEN collective made our second trip to Turn the Page to peruse the artists’ books and to see some local-to-us artists – from the Leigh-on-sea / Southend areas – who’d travelled up to Norwich to showcase their creations:

“The aim of turn the page artists’ book fair is simply to provide an exhibiting and selling platform for the book arts and to raise public awareness of this intriguing art form.”

And, this time, seeing as we were attempting to make our own art books from scratch, we were really taking note…

Chris Ruston – Noticing Nature

Our bookbinding tutor Chris Ruston was at the fair showing her beautiful artist books, many of which explore her interest in climate change:

“Earth’s story is a constant thread through her work. She invites us to think about how the past, present and future come together.”

The Ark, which has been included in the Agri-Culture / Seeds Links exhibition in association with the Svalbard Global Seed Bank, featured:

“[P]ages [which] act as ‘seeds of thought’ – touchstones to inspire us as we face increasing social, economic and biophysical challenges.”

While:

“Loose leaf pages are held between lunaria annua (otherwise known as honesty seeds). They are a reminder of the hard truths facing us in dealing with these challenges – as well as a symbol of hope and renewal.”

And Chris wasn’t alone in using creative formats to explore some serious themes…

Gwen Simpson – Collective Threads

Connecting threads project book

Gwen was at Turn the Page to present her Collective Threads community textile project, which was created in response to the collapse of the Rana Plaza factory in Bangladesh, back in 2013.

The large-scale hanging – like a huge patchwork curtain – is created from 1,130 rectangular pieces each representing the number of people who died in the tragedy.

Each section has been contributed by members of the public – including SEVEN’s Kim, Juliet and Jo – and features everything from seed-stitched furnishing fabric to hand stamped lettering, smocking, and hot press printing on silk.

Gwen has said of Collective Threads:

“Alongside acknowledgement of this incident, the project generated discussions about our ‘throw away culture’… [And it] has encouraged individuals to come together in a united spirit of community, and to reconnect to their own creativity.”

Discover More

Turn the Page is a fantastic opportunity to discover unusual bookbinding techniques and flick through some fascinating pages. Intrigued? Discover more about the 2019 Turn the Page exhibitors.

Half-term Disco Doodling for the Big Draw

If you thought October was all about Halloween or the clocks going back then you’d be wrong. It’s also the month of The Big Draw, a festival which aims to promote:

“visual literacy and the universal language of drawing as a tool for learning, expression and invention.”

Big Draw Festival – SEVEN invitation

Which is why SEVEN found ourselves dancing and doodling with kids and their families at Leigh Community Centre one Friday afternoon during the half term break.

  • Go to the bottom of this post to check out our top tip for doodling alone too!

What is Disco Doodling?

SEVEN believe everyone is creative, we just need to be given the opportunity to explore in a fun and supportive atmosphere. Cue: music.

If you check out artists like Piet Mondrian of Broadway Boogie Woogie fame or James Abbott McNeill Whistler’s Nocturnes you’ll see that art and music have long inspired each other.

But for our workshop, we simply asked kids and their families to:

Come draw to the beat of a funky soundtrack and create a giant doodle.”

What happened next?

SEVEN provided a huge roll of paper, an assortment of art materials, and, of course, the music.  While local kids and their families drew anything their imagination – inspired by the music – might conjure.

A simple premise, drawing in this way gets some really interesting results. From the relaxed style to the collaborative nature of working onto one large sheet of paper, drawing to music is an easy and accessible creative technique.

Big Draw Disco Doodle

Do it yourself

What’s more, you don’t have to disco doodle in a group. You can just as easily doodle to music alone.

Simply line up a few of your favourite tracks (think variety: upbeat, melancholy, playful, serious, exotic, old, new, etc) and start playing around on a single sheet of paper or even in your art journal – SEVEN have found pastels are a great medium for doing just this. Happy doodling!

Preview evening invitation – Leigh Art Trail 2018

SEVEN is having a preview evening on Friday 8 June from 6pm-8pm at Venue 49.  We’d like to invite you to join us and take a look through our books, which this year have an estuarine theme.

There will be a selection of venues also open on the evening, so you can meet other artists and enjoy a mini preview trail with a few drinks and nibbles.