Leigh Art Trail 2024 at Metal Southend

Venue 1: Chalkwell Hall, Metal Southend

For this year’s Leigh Art Trail, we had a change of venue, as after 3 fabulous years at the Refill Room, we headed off to Metal Southend, in the delightful surroundings of Chalkwell Park.  It felt like a home coming as we first met each other at Metal on Heidi Wigmore’s Creative Journalling classes. 

Our theme this year was Ghosts. As usual, we each took the theme in a very different direction, for instance Nicola said “It’s also been a chance to explore the idea of what a ghost is. Are ghosts really lost souls, wandering?  Sometimes with good intentions?  Playful, even? At other times angry with the life and people they left behind?” while Jo was inspired by the book ‘Miss Willmott’s Ghosts‘. Juliet took her inspiration from the ghosts of Chalkwell Hall saying “Using research by writer, artist, and archivist Rachel Lichtenstein* as a starting point, I delved into the history of the Hall.”

Book pages: Nicola, Jo, Juliet

Amanda took a more instinctive approach, “No one idea has dominated the process of creation, but I have allowed it to develop and suggest to me what my overarching concerns were with the theme ‘Ghosts’.” whilst Kim created a ‘Miscellany of Ghosts’, “Well, I began with a list. Thinking about ghosts I wrote down whatever sprang to mind. As the list grew and grew, I realised that we use the word ‘ghost’ to describe a great many diverse things.” and Helen delved into her family history to reveal, “Yet, ultimately, I think this book is about haunting. How we’re haunted by our pasts. Our choices. Our guilt. Our memories. Haunted by our ancestors, even…

Book pages: Amanda, Kim, Helen

Metal proved to be a great venue as we had lots of room to show our Ghosts books, plus some accompanying working books and explanations. We also had a creativity table that all ages could have fun with drawing.  We had a good mix of those who are avid Trailers and those walking through the park and popped in to see when the door was open, and those whose dogs came in for a look without them!  

SEVEN exhibition at Chalkwell Hall, Metal Southend

We also had the benefit of showing with other artists (Wendy Scotland, Mia Davies and KOMAR) also exhibiting at the Hall. This resulted in a rich variety of work for people to see, plus many arty chats during the week. It also enabled us to co-host a private view, plus it was a treat to be able to see so many of our friends, family and supporters, on a very rainy Sunday afternoon. 

Wendy Scotland, KOMAR and Mia Davies at Chalkwell Hall, Metal Southend

Thanks to Metal for allowing us to exhibit our work, and to Wendy and the whole Art Trail team for organising such a great week. 

The Leigh Art Trail event: 6 – 14 July 2024.

Sound + Vision: Leigh Art Trail event

SEVEN were delighted to be part of the @leigharttrail first-time collaboration with Gaudeamus Choir!

A selection of artists on the Trail created work for the event on themes varying from: the seasons; nature and humanity; the elements; angels; and spirituality. The choir’s Musical Director, Ruth Brown, then curated a beautiful program of choral music that complemented the artwork, which was displayed on large screens around the church.  

Artist images displayed on screens accompanied the choir

It was lovely to see so many people in attendance and we look forward to collaborating with the choir in the future.

Gaudeamus Choir

The choir sing a wide range of music, from the middle-ages to the present day, unaccompanied and accompanied. However, they are particularly noted for their unaccompanied a cappella singing, be that Byrd, Bach, Stanford, or Cole Porter.

The event was held at St Clement’s Church, SS9 1PG on  Thursday 4 July, 7.30pm

Leigh Art Trail 2023 event – Autumn by Nicky Roach

In September 2022, SEVEN exhibited sketchbooks in the Leigh Art Trail. The Art Trail also runs a Secret Auction (where artists donate a piece of work and the proceeds go towards running the Art Trail).

For the Secret Auction, SEVEN offered one winner the chance to attend one of our regular creative sessions at Metal. Our winning bidder was Nicky Roach, a local artist and maker.

In the session we began to look at the theme of ‘seasons’, in particular autumn. We worked through some of the processes, we often use to get a sketchbook started. At the end of the session we invited Nicky to come back and share how she’d got on with her sketchbook.

When Nicky returned, we were so delighted with the way she had developed her book…using narrative…characters…objects…even burning pages(!)…all within a 3D format. We thought we have to animate her book to bring this fantastical story to life!

Click below to play/enlarge the stop-frame-animation….Enjoy!

Autumn by Nicky Roach 2023

‘Windy day’ stop-frame animation

Windy day by Jo Bund

One of the key images that I love about winter is the silhouette of bare trees against the sky. So, as an addition to my winter sketchbook, I’ve created a short stop-frame animation of windy trees, inspired by William Kentridge.

SEVEN visited the William Kentridge exhibition at the RA last November which included a number of short, hand-drawn animations. I thought the simplicity of the animations was really effective and I wanted to try to capture this.

The first step was to draw several trees to illustrate the movement of them blowing in the howling winter winds. Each tree was cut out of card and photographed against my sketchbook, which I used as a background. I then built the animation and added a ‘wintery’ sound clip.

Enjoy!

Brooklyn Sketchbook project

The Brooklyn sketchbook library began in 2006 and is a not-for-profit organisation, based in the US. Their aim is to ‘encourage creative storytelling within a global community’ and currently has over 50,000 sketchbooks from artists from around the globe.

We’ve pondered over the idea of submitting a sketchbook to the Brooklyn Sketchbook library for a while and this year we did it!

Brooklyn Sketchbook Project arrived

In September 2020 SEVEN agreed that the Brooklyn Sketchbook project would be our next challenge. We duly sent off our payment and received our blank 5″x7″ sketchbooks a few weeks later.

We participated in Vol. 17, which meant our deadline was 15 February 2021. Each submission comes with a new list of suggested themes, that you can use as a starting point, and I was inspired by ‘marks and markers’, which I developed using mark-making techniques.

I chose to combine my theme with reference to Warley Place in Essex, a former Edwardian garden owned by horticulturalist Miss Willmott until 1934. After her death, the house was demolished and the gardens left unattended for several decades. It has been maintained as a nature reserve, by the Essex Wildlife Trust, since the 1970s where it still provides glimpses of its former charm.

Mark-making inspired by Warley Place

When I received my blank sketchbook, I was disappointed in the quality of the paper, which I thought was too thin and wouldn’t stand up well to being painted and collaged onto. So from the start I decided that I would rebind my book using thicker paper.

The first session SEVEN did involved mark-making with inks, which gave me a good foundation to work on. Once I had a selection of inky papers I chose a few and cut them up into long strips. I then glued these strips together to form one long piece and folded it into 18 concertina pages.

NB: If you rebind your sketchbook, the only limitations to consider are that the pages must be the same size, the overall thickness of the sketchbook must be no more than 1″, and the barcode on the backcover must remain visible.

I collaged cyanotype prints, old artwork and scraps of ephemera onto the pages, which I worked into using intuitive mark-making, drawing and painting.

These are some of the finished pages I created:

Jo’s sketchbook pages
Jo’s sketchbook pages
Jo’s sketchbook pages

I thought it would be difficult to send off my sketchbook once I had finished it (you do get very attached to your work!), but I think as I knew this was the outcome all along, I was happy to let it go. Before posting it to Brooklyn I did scan all my pages, so that I have a record. I have also opted for the library to digitize the pages, so they will be available to view on their website anytime.

If you fancy a challenge, I would highly recommend taking part.